Hans hartung h 12 1973 signed by hand lim. Edition 37/100 original engraving on. This product sheet is originally written in English. Please find below an automatic translation into French.
If you have questions please contact us. Title: \Hand signed and titled by the artist (pencil). Original wood engraving numbered 37/100 from 1973. Size of the paper: 25.5 x 20. In (65.5 x 51.0 cm).
Size of the image: 15.75 x 15.75 40 cm. Paper: banks, France with watermark. Dry stamped (embossed) erker press st.
Good condition, some manipulations in the external white margin, never framed. Please see photo as part of the item description, since this is a photo of the actual artwork you will receive! There might still be slight color variations of the original for the colors you see in the photo. Hartung, born in Leipzig in 1904, lived in France from the 1930s until his death in 1989. Anna-eva bergman was an artist and hartung's wife.His work and ideas were crucial to him. They married twice, once in 1929, then again in 1952 after more than ten years of separation, after having met by chance during an exhibition of julio gonzales in Paris. From that moment, hartung said they were inseparable. The prints represent an extraordinarily diverse work, striking by its independence from orthodoxy, surprisingly inventive and, above all, inspiring by its relevance for artists revisiting the possibilities of abstraction after several decades of critics and apologists. The dialogue that the exhibition establishes by the inclusion of wols, stone relieves, jackson pollock, mark tobey, gabriele basch, katharina hinsberg, mark sheinkman, and maria lassnig.
Förg, among others, although informative, would have benefited from some loans that could make more apparent the hartung bond with young artists. It is clear that in his lithography, etchings and woodcuts, hartung explored the consequences of his \. It is not always true that an artist moves between mediums of this kind: see the current exhibition of gerhard richter at the drawing center of new york.As beautiful as it may be, drawing for richter is obviously an additional activity. In comparison, Hartung's \h27 eyle of the last years. It is perhaps hartung's ability to remain visually independent and inventive while recognizing the past that makes it both challenging and relevant for artists. L 1973-7 (1973), a lithography of amazing finesse and direct execution evokes the freshness of the process found in traditional Chinese painting.
Hartung's flowing calligraphies and minimalist baroque alongside solid, or simply isolated, blocks illustrate the complexities of kooning and cy twombly's willem, as well as david reed's deployment of the gesture. The re-evaluation of hartung continues with an upcoming exhibition at cheim & read in new york next month. An exhibition of late paintings presented here in Berlin at the fahnemann gallery (clemens fahnemann, which organized the donation of the hans hartung and anna-eva bergman foundations) resembled that of a young painter: vital, fresh, instinctive and new.I saw a lot of people pass the gallery at night doing a double take and glancing inside, as if they thought: it's something special. These charges are the responsibility of the buyer. Please check with your country's customs office to determine what these additional costs will be prior to bidding / buying.
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